Abstract
This paper critically explores the gendered politics of Kathy Acker’s use of postmodern parody in her novel Great Expectations (1982). By using the textual codes and paradigms of postmodern parody, as theorized by Linda Hutcheon, Acker seeks to initiate a parodic appropriation of the Dickensian text in order to interrogate the culturally privileged gender norms encoded in this male text. Acker’s parodic rewriting of Dickens’ Great Expectations(1862) is really one of textual appropriation as it seeks to re-write the male text from a totally different, notably gendered, perspective. The aim of such an appropriation is to create a textual space to negotiate issues of gender and female agency. Acker seeks to challenge culturally established canonical narratives of male dominance. She does this by creating feminist counter narratives that bring to the fore issues of gender identity and difference. Keywords: Gender Politics, Postmodern Parody, Textual Appropriation, Intertextuality, Linda Hutcheon
Sign-in/Register to access full text options 
Talk to us
Join us for a 30 min session where you can share your feedback and ask us any queries you have
Schedule a callMore From: Jordan Journal of Modern Languages and Literatures
Disclaimer: All third-party content on this website/platform is and will remain the property of their respective owners and is provided on "as is" basis without any warranties, express or implied. Use of third-party content does not indicate any affiliation, sponsorship with or endorsement by them. Any references to third-party content is to identify the corresponding services and shall be considered fair use under The CopyrightLaw.
