The Garden and Its Walls

Abstract

This essay examines the Dr. Sun Yat-Sen Classical Chinese Garden in Vancouver through a sociocultural lens. Positioned in Chinatown within Vancouver’s Downtown Eastside (DTES), the garden is the first authentic Ming Dynasty-style scholar’s garden outside of China. Operating as both a public park managed by the Vancouver Park Board, as well as a paid garden managed by a nonprofit organization, the garden symbolizes an intersection of Canadian and Chinese cultures, offering a distinctive lens for analyzing cultural interplay. The concepts of the «contact zone» as well as assemblage theory are central to understanding the garden’s role in facilitating cross-cultural dialogues. Influenced by scholars like James Clifford and Mary Louise Pratt, the garden serves as a physical and conceptual space where cultures converge, fostering interpersonal dialogue among visitors of varied backgrounds. Philipp Schorch’s expansion of the contact zone to museum spaces offers a framework for analyzing the garden as representing Chinese culture in Vancouver as well as tying the garden to its locality. The analysis of the garden extends beyond its own confines and over its walls, exposing and exploring the complex relationship the garden has to its surrounding space, the DTES, and Chinatown.