Abstract
briefly discusses the history of art forgery, categorizes and illustrates some types -- the direct copy, which takes elements from many things, the pastiche, and the evocation which tries to evoke what an artist would have done. Describes the problems of later repairs to a work and of historical retrospective in creating a work. Concludes with steps for a deliberate process of how to look at a work of art. -- AATA
Talk to us
Join us for a 30 min session where you can share your feedback and ask us any queries you have
Schedule a callDisclaimer: All third-party content on this website/platform is and will remain the property of their respective owners and is provided on "as is" basis without any warranties, express or implied. Use of third-party content does not indicate any affiliation, sponsorship with or endorsement by them. Any references to third-party content is to identify the corresponding services and shall be considered fair use under The CopyrightLaw.
