Abstract

At exactly 100 years after its birth, Futurism is revisited in terms of the new potentialities offered by Digital Photography (via “Painting with Light”). It is discussed how Futurism aimed at depicting “dynamism” and why Digital Photography, generating variations of the same basic ideas, can offer a “Future to Futurism”. From the “Technical Manifesto of Futurist Painting”: “All things move, all things run, all things are rapidly changing. A profile is never motionless before our eyes, but it constantly appears and disappears”.

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