Abstract
MUSIC iS, as Sir Jack Westrup puts it,1 not something which comes out of the blue; it is man-made. It is a conscious social phenomenon created by man to fulfill an individual and collectirre need. Man is considered here as a social being whose music is a form of social behavior that enables him to identify himself both as a culturally motivated individual and as a collective member whose characteristic is socio-cultural interaction with other members of his cultural community.
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