Abstract
The fret-harmonic content of the Chinese melos (on the example of samples for the voice and piano in the modern arrangement)
Highlights
The present article is devoted to the mental differences of the Chinese song tradition and analyzed the peculiarities of fret structures upon harmonizing the melody by modern authors
The musical stylistics of the Chinese folk song is based on the synthesis of the intonation features of traditional Chinese music with the lexemes of European classical music
For the European ear, the fret-harmonic originality of the Chinese melos, in addition to pentatonics, is marked by synthesizing various elements of the systems of the pitch-high organization which have set in the history of European music: archaic, modal, and tonal-functional
Summary
Которая вполне может рассматриваться как D7 с секстой, разрешающийся в трезвучие VI ступени в C dur. Если ладогармоническое содержание вступления рассматреть под углом модальности, тогда ладовой структурой этого напева оказывается миксодиатоника, соединяющая в себе звукоряды ионийского лада от с и дорийского лада от d с повышающейся в кадансе VII ступенью, а с точки зрения тонального принципа звуковысотной организации – как движение из тональности C dur в тональность d moll.
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