Abstract
AbstractThis article presents a historical reconstruction of the formation of Makonde “revolutionary singing” as genre of memorialisation of the Mozambican Liberation Struggle; tracking the “descent” of formulas and watchwords produced by the revolutionary elites into popular orality. Along this trajectory, we will encounter wartime genres that were later forgotten or foregone, which refer to moments when the “space of experience” and the “horizon of expectation” of the Struggle were still filled with uncertainty and the sense of possibility. Progressively, these singing expressions were reorganised around socialism’s nodes of meaning; while ideological tropes, elaborated by Frelimo’s “courtly” composers, were appropriated in popular singing.
Talk to us
Join us for a 30 min session where you can share your feedback and ask us any queries you have
Disclaimer: All third-party content on this website/platform is and will remain the property of their respective owners and is provided on "as is" basis without any warranties, express or implied. Use of third-party content does not indicate any affiliation, sponsorship with or endorsement by them. Any references to third-party content is to identify the corresponding services and shall be considered fair use under The CopyrightLaw.