The formation of the chamber-vocal style of Zhu Jian’er: early works

Fengdaijiao Zhu

doi:10.34064/khnum1-52.12

Abstract

The formation of the chamber-vocal style of Zhu Jian’er: early works

Highlights

The little-known pages of the work of an outstanding Chinese composer are presented
The genesis of chamber-vocal style is explored on the example of early chamber and vocal creativity of the 1940s
This is the stage in the formation of the musical language of the composer, which coincides with the “experimental” period of the formation of Chinese chamber vocal music of the twentieth century

Summary

Introduction

The genesis of chamber-vocal style is explored on the example of early chamber and vocal creativity of the 1940s. This is the stage in the formation of the musical language of the composer, which coincides with the “experimental” period of the formation of Chinese chamber vocal music of the twentieth century. Specificity of musical content and features of the intonational language, form, texture of the piano accompaniment of the cycle or. The characterization of the composer’s early song creativity, features inherent in his style, is generalized. It is proved that the earliest period of creativity, in particular, the sphere of chamber vocal music, which formed the personality of Zhu Jiangera style

Objectives

Results

Conclusion