Abstract
The paper examines how the dromos emerged as an architectural feature in Mycenaean tombs and why it became the standard type of access device. It focuses on collective tombs with lateral entrances of LH I and transitional LH I/IIA date in mainland Greece, but considers also a number of MH tombs with side entrances. The first part discusses the architectural evidence. The second part examines permanent installations and evidence of possible ritual activities from dromoi. The third part explores the symbolic and performative aspects of dromoi. It is argued that the dromos was not an integral part of Mycenaean funerary architecture from the very beginning, but came about gradually out of a long process of experimentation, which originated in MH tumuli and was completed in late LH I or LH I/IIA tholoi and chamber tombs. This process merged different building traditions and combined practical considerations with new ritual needs arising at a period of intense social and cultural change.
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