The Foreign in Mandel'shtam's Poetry at the Beginning of the 1930s. A Look Through the Prism of Translation

Abstract

Mandel'shtam's poetry reflects a feeling of alienation from his surroundings both as a poet, whose calling endows him with unique perceptiveness, and as a person crushed by the Soviet regime. This alienation is concretized in different ways: familiar places and scenes are estranged and distanced, foreign names and places are mingled with native loci, and direct references are made to an encounter with foreign elements.This paper offers readings of two poems through their versions in translation. Since translation attempts to familiarize the foreign, much can be gathered from these versions about the nature of the foreign, or alien, elements in each poem. The first of them, 'He …' ('Don't tempt foreign languages …'), presents ambivalent emotions aroused by foreign speech. In the second poem '' ('I'm still far from patriarch …'), the speaker strolls through Moscow, where he feels a stranger and a native inhabitant at once. The translations indicate to what extent each text is felt to be foreign through the degree by which they mitigate and familiarize it. They also shed light on the poems in specific places. Finally, the popularity of a given poem in translation often indicates its universal appeal. Thus, the present study suggests the comparative examination of translations as a method of reading and interpreting poetry.