Abstract
An historical and cultural examination of the figure of the Wandering Jew provides a springboard for a reassessment of the impact of Richard Wagner’s anti-Semitism on his music dramas. In the case of Der fliegende Holländer, an easy equation of the title character with the anti-Semitic legend of the Wandering Jew is problematic, given a Wagnerian counter discourse of self-identification and empathy with the figure. In the end, it is reductive to reduce any Wagnerian work to a single interpretation.
Sign-in/Register to access full text options 
Talk to us
Join us for a 30 min session where you can share your feedback and ask us any queries you have
Schedule a callSimilar Papers
Disclaimer: All third-party content on this website/platform is and will remain the property of their respective owners and is provided on "as is" basis without any warranties, express or implied. Use of third-party content does not indicate any affiliation, sponsorship with or endorsement by them. Any references to third-party content is to identify the corresponding services and shall be considered fair use under The CopyrightLaw.
