Abstract
Previous articleNext article No AccessThe Flight of Form: Auden, Bruegel, and the Turn to Abstraction in the 1940sAlexander NemerovAlexander Nemerov Search for more articles by this author PDFPDF PLUSFull Text Add to favoritesDownload CitationTrack CitationsPermissionsReprints Share onFacebookTwitterLinkedInRedditEmail SectionsMoreDetailsFiguresReferencesCited by Critical Inquiry Volume 31, Number 4Summer 2005 Article DOIhttps://doi.org/10.1086/444515 Views: 388Total views on this site Citations: 3Citations are reported from Crossref © 2005 by The University of Chicago.PDF download Crossref reports the following articles citing this article:Jeanne Nuechterlein Pieter Bruegel the Elder's Landscape with the Fall of Icarus, (Mar 2017): 379–390.https://doi.org/10.1002/9781119072034.ch26Marcel Sarot Transformative Poetry. A Case Study of W. H. Auden’s Musée Des Beaux Arts and General Conclusions, Perichoresis 14, no.22 (Oct 2016): 81–97.https://doi.org/10.1515/perc-2016-0012Marit J. MacArthur One World? The Poetics of Passenger Flight and the Perception of the Global, PMLA/Publications of the Modern Language Association of America 127, no.22 (Oct 2020): 264–282.https://doi.org/10.1632/pmla.2012.127.2.264
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