The First World War as a Caesura? Demographic Concepts, Population Policy, and Genocide in the Late Ottoman, Russian, and Habsburg Spheres by Christin Pschichholz
Reviews 203 The First World War as a Caesura? Demographic Concepts, Population Policy, and Genocide in the Late Ottoman, Russian, and Habsburg Spheres. (Gewaltpolitik und Menschenrechte, vol. 3). Edited by christin pschichholz. Berlin: Duncker & Humblot, 2020. 247 pp. €49.90. ISBN 978–3-428–18146–9. This thought-provoking volume is the product of a 2016 conference organized by Christin Pschichholz in conjunction with the University of Potsdam and the Lepsiushaus Potsdam. Its aim is to place the 1915–16 Turkish genocide against the Ottoman Armenians in a broader regional context while also examining the cross-border connectedness of radical population policies during what Ronald Suny, borrowing from Domenico Losurdo and Enzo Traverso, calls the ‘international civil war’ that began in 1914 (p. 13). All of the contributors — with the partial exception of Peter Holquist, who identifies 1905–07 as a significant moment linking Tsarist population policy and revolutionary, classbased violence in Russia in 1917–21 — agree implicitly or explicitly that the First World War was a caesura. Yet by comparing the ‘unprecedented dimensions of demographic engineering’ (p. 7) in the late Ottoman, Tsarist and Habsburg empires, they also tease out important differences between them. For Ottoman Turkey, as both Hans-Lukas Kieser and Oktay Özel show, the year 1913/14 was critical in terms of setting the political goal of ethnic homogenization of Anatolia as the heartland of a new, regenerated empire following the loss of the Sultan’s last remaining territories in North Africa and Europe (with the exception of Edirne, recovered from Bulgaria in July 1913 after the Second Balkan War). Talk of ‘microbes’ that needed to be ‘removed’ from the empire’s territorial ‘body’ emerged in 1913 and fed directly into the 1915–16 genocide. By then the entire Armenian population — women, children and older men as well as younger males — were identified as an internal enemy or ‘fifth column’ (pp. 89–90). In Tsarist Russia, there was no actual genocide, although Holquist mentions the Imperial army’s suppression of the 1916 Central Asian uprising as getting close to this. There were also the mass deportations of various population groups — Jews, Germans, Baltic peoples and others — from the western borderlands to the interior in 1914/15. What this had in common with policy in the Ottoman empire was the identification of particular ethnic communities as a permanent security threat, thereby legitimizing ‘exceptional’ state action, and — in wartime — the extension of violence to the entire ‘enemy’ civilian population, whether that population was to be found in home or occupied territory. This was as much a ‘western’ as an ‘eastern’ phenomenon, as Mark Levene, Arno Barth and other contributors stress. When British diplomats sought to restrain Russian violence against Jews in 1915, this was not a straightforward public-spirited gesture (as western criticisms of the Kishinev pogrom of 1903 perhaps had been) but became entangled with narrative strategies that ‘securitized’ the Jewish question, in other words, turned it into a security Reviews 204 issue not just internally for Russia, but internationally too. New demographic concepts of borderland protection, cultural identity and world order — ‘often [expressed] in the most phobic and paranoid terms’, to quote Levene (p. 41) — meant that Jewish (and German) populations globally could now be seen and spoken of as a potential threat to the unity of the Allied cause. A similar dynamic was at work in the anti-German riots that took place in Moscow, in the UK and in many parts of the British empire, again in 1915. Where does this leave Austria-Hungary? Certainly the behaviour of the empire’s military leadership towards border populations in East Galicia and Bukovina, annexed Bosnia-Hercegovina and occupied Serbia, and on the frontiers with the Kingdom of Italy, especially in 1914–15, evinces a similar pattern of sanctioning ethnic violence under the guise of defending imperial territory. Internment camps such as Thalerhof near Graz, mentioned by Serhiy Choliy in his contribution, are a case in point. However, compared to the Ottoman and Russian spheres, there was no drive towards full-scale national/ cultural homogenization in the Dual Monarchy. True, as Hannes Leidinger argues, there was a ‘systematization of hatred’ against Serb ‘terrorists’, Ukrainian ‘russophiles’ and Italian...
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Article The First World War as a Caesura? Demographic Concepts, Population Policy, and Genocide in the Late Ottoman, Russian, and Habsburg Spheres was published on December 1, 2021 in the journal Südost-Forschungen (volume 80, issue 1).
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Reviewed by: The Ottoman Road to War in 1914: The Ottoman Empire and the First World War M. Erdem Kabadayi The Ottoman Road to War in 1914: The Ottoman Empire and the First World War. By Mustafa Aksakal . New York: Cambridge University Press, 2008. 232 pp. $109.00 (cloth); $34.99 (paper); $79.00 (e-book). Aksakal's book has been published in the series Cambridge Military Histories and suits very well the given purpose of the series to examine warfare from a broad perspective, including political and economic aspects. The book covers a short but decisive time span at the very end of the long-lived Ottoman Empire. It is the result of well-designed research and carefully executed study of the Ottoman Empire's entry into World War I and offers the reader a detailed almost day-to-day analysis of the crucial period of 1913-1914. The book ends with the Ottoman entry into World War. Its focus is not on the actual events of the war, but the diplomatic and political maneuvers that preceded it. Four states, the Ottoman Empire, Germany, Russia, and Great Britain and their diplomatic and military representatives, are the major actors of the study. The Austrian-Hungarian Empire, Italy, and the Balkan states of the time are the other leading political actors. Aksakal's narrative follows a chronological order, which makes it an easy read, and at the same time he provides the reader with synchronal developments and interactions of the period. This is one of the major assets of the book. Geographically the study focuses on the developments in the Balkans [End Page 642] prior to the war, which is another right choice. Ottoman territorial losses in the Balkans had a substantial impact both on the minds of its ruling elite as well as on its geostrategic decision making. The Ottoman Committee of Union and Progress (CUP), whose leaders controlled and formed the government during the period from 1913 to 1918, also had Balkan roots and consolidated its power toward an authoritarian regime during the Balkan Wars. Aksakal correctly underlines the role desire for revenge of the defeats of the Balkan Wars had in constituting the identity of the Ottoman ruling elite. Especially the fact that a former Ottoman capital city, Edirne, was recaptured by military force toward the end of the Balkan Wars was an important opinion setter. More importantly the CUP leadership was convinced that their agenda of modernization and mobilization of the public could be best achieved under conditions of war (p. 14). In this framework of analysis, Aksakal's book recasts the role of Enver Pasha, the Ottoman war minister from 1914 to 1918. In the national historiography Enver has been depicted as a war-hungry hawk who drew the Ottoman empire into World War I almost single-handedly. In this regard Aksakal distances himself successfully from the national historiography and masterfully situates Enver and his decisions within the CUP leadership not as a maverick but an essential and very important member of the CUP decision makers. Regarding the source material of the study, Aksakal heavily depends on German, Ottoman, and Russian diplomatic correspondence. He skillfully interweaves valuable information from these contemporary sources to build his narrative. In his selection of sources he almost completely excludes memoirs of the decision makers and members of the CUP for good reasons. Due to the fact that the majority of these works had been penned during the early years of the nascent Turkish Republic, the ways and means by which those authors perceived their recent Ottoman past and their attempts to distance themselves from it weaken if not discredit them as reliable sources. Aksakal does not make extensive use of another category of documentation, the Ottoman press of the time. He clearly states this decision yet surprisingly does not provide an explanation for it (p. 20). The "public opinion"—in quotation marks, as Aksakal puts it—is an important aspect of the study. As he himself points out, it is problematic to envisage an Ottoman public opinion in the modern sense, yet both the public opinion in its existed form and the intellectual climate of the time in Istanbul are...
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1
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Osman Hamdi Bey and the Americans: Archaeology, Diplomacy, Art Pera Museum, Istanbul 15 October 2011–8 January 2012 Scramble for the Past: A Story of Archaeology in the Ottoman Empire, 1753–1914 SALT Galata, Istanbul 22 November 2011–11 March 2012 Artamonoff: Picturing Byzantine Istanbul, 1930–1947 Koc University Research Center for Anatolian Civilizations, Istanbul 25 June–10 November 2013 Three exhibitions that examine ways of looking at the ancient and Byzantine past from the eighteenth to the early twentieth century were recently on display in Istanbul. These exhibitions reevaluated the changing discourses and practices of archaeology as both a scholarly enterprise and a popular endeavor, particularly in relation to the late Ottoman and early Turkish contexts. They explored how contemporaries looked at, understood, and wrote about the culture, art, and architecture of the past from their various and varying perspectives. The exhibition Scramble for the Past: A Story of Archaeology in the Ottoman Empire, 1753–1914 at SALT Galata was curated by Zainab Bahrani, Zeynep Celik, and Edhem Eldem (Figure 1). It revolved around a double narrative of an apparently conventional historical account of the birth and development of “modern archaeology” from the founding of the British Museum in 1753 to the establishment of the Ottoman Pious Foundations Museum in 1914 alongside a contested story about some historically renowned archaeological sites that once dotted the former Ottoman lands. As its provocative title Scramble for the Past suggests, rather than presenting a celebratory narrative of archaeological practice, the exhibition put forward a critical interpretation of the history of archaeology. The seemingly neutral time line, highlighting the major dates in the long march of archaeology alongside significant historical political events, constituted a backdrop on the walls and literally encircled the main body of display, which focused on certain archaeological sites within the framework of eight different themes. True to the exploratory and interdisciplinary cultural mission of SALT, the sites were presented through their various historical representations in different media from written texts to oil paintings, from drawings to photographs and films, together with some original artifacts, among which were also dispersed commissioned installations on the nature of archaeology by artists Mark Dion …
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