Abstract
215 YEAR BEFORE THE Waldorf Declaration, top executives from every major studio in Hollywood devised a plan that forced many of their workers to choose to forsake a portion of their identity or else their work. Like many who faced blacklisting between 1947-1963, over 10,000 craft unionists from the Conference of Studio Unions (CSU), the International Alliance of Theatrical and Stage Employees (IATSE), and the Laboratory Technicians Local 683 had to appeal to studio executives to receive clemency to work again in Hollywood.1
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