Abstract
ABSTRACTTen years after the 1991 Constitution recognized Colombia’s ethnic diversity, the National Beauty Pageant crowned Vanessa Mendoza, the first black beauty queen in the pageant’s 65-year history. Mendoza won the 2001 crown as the representative of the Chocó, one of Colombia’s poorest and predominantly black departments. In this paper, I draw from critiques of neoliberal multiculturalism to discuss the terms under which a black queen was understood to represent Colombia. Drawing from pageant documents and the national press, I analyze how pageant affiliates, Mendoza supporters, and Mendoza herself understood the pageant victory. Mendoza supporters debated the race of the queen and whether she represented a mestizo or multicultural nation. Journalists and pageant affiliates reconfigured racial hierarchies and upheld Mendoza’s victory as proof of the absence of racism. In contrast, a group of journalists and academics used ideals of multicultural diversity and regional solidarity to emphasize the persistence of racial and regional inequalities. As a beauty queen and later aspiring black politician, Mendoza often reinforced the neoliberal logic of multicultural spaces.
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