Abstract
The paper is devoted to the research by H. Petrovsky “Desturbance of the Sign. Culture against Transcendence.” The article attempts a reconstruction of some important conceptual topoi of the book. The ideas of the book are presented through the material of one of the chapters — the photo archive of Zofia Rydet. The second part offers a conceptual variation of a different type, due to J.-M. Vappereau, which is related to the range of issues raised in the book.
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