The Feminine Cultural Politics Essentialism and Popular Imagination Liberality

Abstract

Throughout the development of this fiction, Nuruddin Farah exposes the issues of the sphere of origin. In fact, the run of <i>Sardines</i> exhibits the question of the patriarchal reality of ideas, and then, emphasizes on a feminine self-consciousness, which through its evolutionary source and perfecting method disrupts the traditional construction of narrative based essentially on custom of symbol. Through the implemented study of a new feminine ontological aspect, the logic of <i>Sardines</i> remains in a realistic and structural redefinition of social epistemology. In this line, within the realm of social agency, the feminine new ontological discourse dismantles the macro-structural establishment within identity is constructed. It is in this perspective, the aim of this paper focuses on the voluntary feminine emancipation and its psychological and cognitive value. Furthermore, through the discourse of a new politics of identity, this paper seeks to unveil the manner socio-political conservatism reality annihilates the truth of the individual. Therefore, the consequence of this article is expected to underscore the feminine approach of a new historical materialism. It remains an attempt to display the implied practical mode of communication, which appears different from the apparent reality of the patriarchal mode, the manner Farah creates a discourse of reconstruction and a scientific observation of the real.