Abstract
Abstract This article explores the dynamic forms of positive feedback found in Hiroko Komatsu's 2017 photography installation, The Execution of Personal Autonomy. This article details how Komatsu's installation generates an intensive interface among photographed materials and photochemical materialities that constitute a noise-like interface akin to the creative production of feedback in Noise music. As a redistribution of affective attunements that inhere within the urban landscape, this article discusses how Komatsu's photographic forms of feedback offer an evolving site for grasping, and potentially reimagining, the reproductive processes of capitalist society. Komatsu's photographic praxis reveals a novel understanding of photography's own role as a material and affective “infrastructure” critical to the reproductive relations of neoliberal and state capitalism.
Talk to us
Join us for a 30 min session where you can share your feedback and ask us any queries you have
Schedule a callDisclaimer: All third-party content on this website/platform is and will remain the property of their respective owners and is provided on "as is" basis without any warranties, express or implied. Use of third-party content does not indicate any affiliation, sponsorship with or endorsement by them. Any references to third-party content is to identify the corresponding services and shall be considered fair use under The CopyrightLaw.
