Abstract

Since the last decade of the twentieth century, Ho Chi Minh City has become one of the Vietnamese lively dramatic literature and theater centers. During the past twenty years, together with dramatic theater, Ho Chi Minh City’s dramatic literature has built up a professional playwriter force, providing audiences plays which reflect the conflicts between human’s life in the time of Vietnam’s reformation and integration. Besides, these plays have contributed experiences in acquiring and applying the world modern playwriting techniques to suit Vietnamese’s drama reception habits.
 This paper generally provides content feature (focus on conflicts) and playwriting art feature (focus on plots, characteristics, dialogue language construction and the acquirement of new art techniques in Ho Chi Minh City’s contemporary literary scripts), contributing to the evaluation and summary of Ho Chi Minh City’s dramatic literature during the past.

Highlights

  • This paper generally provides content theater centers

  • Nếu đề cập đến những đặc điểm, thành tựu của kịch nói Việt Nam thời gian qua, với tư cách là một thể loại văn học, mà không nhắc đến những đóng góp trong việc duy trì và phát triển đội ngũ sáng tác kịch bản cũng như nội dung phản ánh và những điểm đổi mới về mặt nghệ thuật của kịch nói bản văn học Thành phố Hồ Chí Minh đương đại thì quả là một thiếu sót

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Summary

Introduction

This paper generally provides content theater centers. During the past twenty years, feature (focus on conflicts) and playwriting art together with dramatic theater, Ho Chi Minh feature (focus on plots, characteristics, City’s dramatic literature has built up a dialogue language construction and the professional playwriter force, providing acquirement of new art techniques in Ho Chi audiences plays which reflect the conflicts Minh City’s contemporary literary scripts), between human’s life in the time of Vietnam’s contributing to the evaluation and summary of reformation and integration.

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Conclusion

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