Abstract
In this text, motivated by the need to offer a different perspective to the representation of theSenado da Câmara(Municipal Council) in relation to the society that participated in Corpus Christi, I return to the study of the feast in the eighteenth century. The câmara was responsible for the spatial-temporal framework of the ritual in the diverse cities of Portuguese America, among other prerogatives and duties identified and analyzed by the historiography regarding this institution of the Ancien Regime. According to the câmara's minutes, the “Church, the Senate and the People (Povo)” would be present at the feast, thus establishing in the discourse a tripartite and corporative social order that does not identify the participants, whether individuals or the diverse “bodies” that comprised the Church or the people. And, of even greater importance, the câmara's discourse makes reference to the three bodies it claims to represent. However, it is known that if the camara symbolically evokes therespublica(commonwealth) through the organization and appearance at thisroyal feast, in political terms, the participation of elements that comprised the people in the Senado da Câmara, in other words, of the artisan crafts and skilled trades, was restricted to Bahia and Rio de Janeiro for a short period of time.
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