Abstract
Chinese Water and Land painting contains lots of figure costume modeling, providing intuitive and vivid image data for the study of ancient costumes. It is a new medium for the study of Chinese ancient costumes. This paper analyzes the feasibility and methodology for Water and Land paintings in the study of the Ming Dynasty. With the Ming costumes in the Water and Land Paintings, this paper discusses the shape, color, texture and fabric patterns of the ancient dresses. The feasibility of using Water and Land Paintings to study ancient costumes is further analyzed in this paper. This paper emphasizes the importance of ancient dresses in Water and Land Painting for the study of its wearing effect, and the specific methods of research that are put forward.
Highlights
The subject of the research of the costumes in China during the Ming Dynasty via Water and Land Paintings, until now, still is not drawing academic attention
This paper proposes the concept of realistic degree to describe the true degree of the image data of Water and Land Paintings for the real relics
When studying the graphic data of Water and Land Paintings, we should perform a comprehensive analysis of the sum of various images of social life in the Ming Dynasty
Summary
The subject of the research of the costumes in China during the Ming Dynasty via Water and Land Paintings, until now, still is not drawing academic attention. There are only a few people who do this research both domestically and overseas. By looking up literature, data, and informational methods that no one has found yet through Water and Land Paintings to research of costumes in China during the Ming Dynasty. By interviewing many acknowledged experts in the field, including Professors of costume history studies. These Professors include Professor Xiangyang Bian, Professor Feng Zhao, Professor Xiaoyun Dai and Professor Jincheng Su who are experts on the Water and Land Paintings. I interviewed the University of California, Davis Professors Katharine P.
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