Abstract

Art HistoryVolume 36, Issue 4 p. 740-767 Original Article ‘The fault of being purely French’: The Practice and Theory of Landscape Painting in Post-Revolutionary France Steven Adams, Steven AdamsSearch for more papers by this author Steven Adams, Steven AdamsSearch for more papers by this author First published: 10 July 2013 https://doi.org/10.1111/1467-8365.12028Read the full textAboutPDF ToolsRequest permissionExport citationAdd to favoritesTrack citation ShareShare Give accessShare full text accessShare full-text accessPlease review our Terms and Conditions of Use and check box below to share full-text version of article.I have read and accept the Wiley Online Library Terms and Conditions of UseShareable LinkUse the link below to share a full-text version of this article with your friends and colleagues. Learn more.Copy URL Share a linkShare onFacebookTwitterLinked InRedditWechat Volume36, Issue4September 2013Pages 740-767 RelatedInformation

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