Abstract
In Kafka studies there exists an often dualistic debate: is escape from his texts possible or impossible? Scholars have not fully considered how comparing Kafka's "In the Penal Colony" with Houdini's escape art may offer a more nuanced approach. The escape artist's body could be read in the story's imagery and form to provide three new yet distinct interpretations. While the first two interpretations trace the existing debate on the (im)possibility of escaping Kafka's work, the third suggests how the failure to escape within and beyond Kafka's text constitutes its art.
Talk to us
Join us for a 30 min session where you can share your feedback and ask us any queries you have
Disclaimer: All third-party content on this website/platform is and will remain the property of their respective owners and is provided on "as is" basis without any warranties, express or implied. Use of third-party content does not indicate any affiliation, sponsorship with or endorsement by them. Any references to third-party content is to identify the corresponding services and shall be considered fair use under The CopyrightLaw.