Abstract

This article examines the shifting ways in which the dispossessive and toxic effects of agricultural chemicals have been encoded as agrarian best practices. I develop the concept of agrarian racial regimes, based on the work of Cedric Robinson, to examine how constructed hierarchies of human worth are made central to the sale and usage of chemicals. A focus on the politics of pesticides in the Mississippi Delta, a plantation region of the U.S. South, elucidates the ways in which agrarian racial capitalism has been reproduced through shifting antiblack conceptions of racial difference and technological progress. Two key conjunctures serve to draw these dynamics into relief: the development of the application of pesticides by aircraft in the 1920s and 1930s and the shift toward nearly complete mechanization and chemicalization of cotton production in the 1950s and 1960s. Analyzing film and advertisements in this period in the context of the material relations of agriculture and race, I argue that dispossession and toxicity are encoded as best practices through antiblack representations of agrarian whiteness. In the first period, chemicals were positioned as the height of progress through racist depictions of Black workers in the fields. In the second period, in response to Black challenges to white supremacy, the notion of “clean cotton” was deployed to represent Black absence as the height of technological progress and possessive agrarian masculinity. In both instances, racial representation has served to justify unstable and toxic relations of unequal power and profit.

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