The Expressive Use of Adjectives in Metropolitan Anthony Bloom’s Religious Discourse

Abstract

An overwhelming personality of the 20th century, Metropolitan Anthony Bloom was the spiritual head of the Russian Orthodox Church in Great Britain (1948-2003) who really raised the British people’s awareness of what Orthodoxy meant. He provided the realm of religious discourse with a particular outlook on Christianity (mainly sprung from his own revelation of the risen Christ), which he expressed in a perfectly natural and unsophisticated manner. Interestingly enough, Anthony Bloom and C. S. Lewis can be viewed as “kindred spirits”, as not only did they embrace Christianity after being non-believers, but their writing styles are also similar in that “both have an uncanny ability to explain difficult concepts with simple and engaging language” (“Beginning to Pray (A. Bloom)” [book review]). In Metropolitan Anthony’s view, Christian life represents the personal encounter with God. His discourse is in fact a place of encounters; it is where Eastern Orthodoxy meets Western spirituality, where the sacred realm meets the secular realm and, perhaps most importantly, where the metropolitan’s inner world meaningfully interacts with his addressees’ spiritual searches. We hereby examine the ways in which adjectives contribute to creating an image of a particular world in the following books: Living Prayer (1999a), School for Prayer (1999b), Meditations on a Theme: A spiritual journey (2003). Our approach relies on the Jakobsonian model (1960/1987) of language functions, Kinneavy’s (1980) Theory of Discourse, van Eemeren’s (2002) pragma-dialectical theory of argumentation and various studies on religious discourse. The current paper reveals such discourse constants as the triadic pattern of adjectival constructions, the abundant use of the adjectives “real” and “true”, as well as the presence of adjectives in parallelism and repetition. All these expressive uses of adjectives contribute to the creation of a complex network in which the world of the Gospel, the discursive ethos (conveying the author’s attitude in its diversity) and the reader’s image intermingle in a most harmonious manner.