Abstract
Abstract This essay investigates the absent presence of Baruch Spinoza’s thought in Gilles Deleuze’s Cinema 1: The Movement-Image and Cinema 2: The Time-Image and argues that the concept of expression—as articulated by Deleuze in his study on Spinoza, Expressionism in Philosophy, as well as in his Logic of Sense—constitutes the crucial condition of possibility of Deleuze’s philosophical theory of the cinema and, in particular, of his twofold understanding of cinema as medium of expression and of cinema as expression of time.
Talk to us
Join us for a 30 min session where you can share your feedback and ask us any queries you have
Schedule a callDisclaimer: All third-party content on this website/platform is and will remain the property of their respective owners and is provided on "as is" basis without any warranties, express or implied. Use of third-party content does not indicate any affiliation, sponsorship with or endorsement by them. Any references to third-party content is to identify the corresponding services and shall be considered fair use under The CopyrightLaw.
