Abstract

Nature has a prominent and influential role in human life. And has an important place in poets' poems; it has become one of the sources inspired by the poet's creative work. Among these poets is the poet Mohamed Omar Osman, a contemporary poet, who has a distinctive imprint in Kurdish poetry because of his creative presentation and his creative abilities in his poetic productions. This study, entitled Exploitation of the Elements of Nature in the Poetry Collection (La Ghurbata) by Muhammad Omar Othman, is an attempt to explain the location of the elements of nature in the world of his poetry, because the elements of nature took great place in the texts of the poet. The study consists of an introduction, two axes and a conclusion, as follows: The first axis dealt with the concept of nature, in terms of significance, terminology and definition. This was covered by the opinion of specialists, as well as the role of nature in literary space, in an attempt to demonstrate the influence of literature on the poet and his literary works. The second axis was devoted to the nature of rigid and dynamic nature of the poet's output; with a statement of the poet's efforts in how to employ these natural elements in his poetry; in a painting filled with beautiful pictures and careful and deep consideration. In the end, the research reached a number of results with the sources mentioned at the end.

Highlights

  • Has an important place in poets' poems; it has become one of the sources inspired by the poet's creative work

  • Among these poets is the poet Mohamed Omar Osman, a contemporary poet, who has a distinctive imprint in Kurdish poetry because of his creative presentation and his creative abilities in his poetic productions

  • This study, entitled "The Exploitation of the Elements of Nature in the Poetry Collection" (La Ghurbata) by Muhammad Omar Othman, is an attempt to explain the location of the elements of nature in the world of his poetry, because the elements of nature took great place in the texts of the poet

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Summary

Introduction

‫جطة لةمةش بة سةةةةوود وةرطرتن لة هونةرى رةوانبيَذى ليَكضةةةةواندن‬ ‫شةةةاعير ويَنةيةكى شةةةيعرى جوانى كيَشةةةاوة و تيَيدا خؤى بة ذةنةرالَى ملياران‬ ‫طةلاى هةلَوةريو دةرخسةتووة‪ ,‬ليَرةدا من (شةاعير) ليَضةووة و (ذةنة ِرالَى ثايز)‬ ‫لةوضووة‪ .‬بةم شيَوةية شاعير بةراوردى خؤى بة ذةنة ِرالَيَكى سةربازى كردووة‬ ‫لة كاتيَكدا كة سةوثاى ذةنة ِرالَة سةةربازييةكة تةفروتونابووة و سةةربازةكان وةكو‬ ‫طةةلاَى ثةايز رؤحيةان هةةلَوةريووة‪(( ,‬شةةةةةاعير ضةةةةةةنةدان ويَنةةى لةةو ثةايزة‬ ‫خولَقاندووة كة ئةو ويَنانة بة ئيَمة ئاشةةنان و ئاشةةناش نين‪ .‬ئاشةةنان لةبةر ئةوةى‬ ‫كةرةسةةةتة و دياردة سةةةروشةةةتييةكانى لة ذياندا ديومانن‪ .‬نا ئاشةةةنان‪ ,‬ضةةةونكة‬ ‫نةمانتوانيوة بةو شةيَوةية بيبينين و بةيةكةوة كؤيان بكةينةوة))(‪ .)44‬ثاشةان شةاعير‬ ‫بة خةيالَى قوولَى ضةةةندين ماناى ديكة بة ثايز دةدات و يارييةكى ئيسةةتاتيكى بة‬ ‫جوانى ثايز دةكات‪ ,‬طةلاَريَزان دةكات بة دايكى و‪ ,‬خؤى بة كؤرثةى طةلاَريَزان‬ ‫دةناسةيَن َى‪ ,‬دواتر دةبيَت بة باوكى ثايز‪ ,‬بةمةش هيض شةاعيريَك لة شةاعيران ((‬ ‫هيَنةدةى محةةمةةد عومةةر عوسةةةةمةان بةة نةاخى جوانييةة ئةةفسةةةةونةاوييةةكةةى (ثةايز)‬ ‫رؤنةضةةةوونةتة خوار َى و هةروةها نةيانتوانيوة جيَطؤ ِرك َى بة ماناى ثاييز بكةن‬

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