Abstract

The phenomenological meaning of place argued by Yi-Fu Tuan and Edward Relph involves multiple disciplines, including religious studies. Based on the idea of experience of place, the study examines the structural contrast between the inner village and the outside suburbs. Focusing on the representation of the contrast of places in the festival of southern Tunisia, it also discusses the inner and the outer experience of the human existence that such contrast implies. In this regard, interviews with the local people in the village and observation of rituals and festivals were implemented. The traditional rituals designate the contrast of the human realm and the untamed nature, which has been shaped by environmental and historical factors. Their ambivalent ontological orientations toward usefulness/controllability and toward sacredness/uncontrollability are reconciled by the experience of the festival. The dynamism of the inside and the outside in the form of olives, a bride, or a palanquin enables people to realize the source of new lives and experience the essential meaning of generation. In spite of recent political and exhibitionistic tendencies, the Mahrajān represents the universal structure of festivals in which arbitrariness is periodically broken down by introducing the external sacredness into the inner human realm.

Highlights

  • Today’s landscape theory is not limited to cultural geography; rather it functions as a nexus of issues with architecture, urban engineering, tourism, cultural preservation, and many other fields

  • This paper critically examines the ideas of place in cultural geography from the standpoint of the history of religion and contrasts experiences of two places: the village and the suburbs represented in the festival of southern Tunisia

  • By interpreting the festival of the indigenous community according to these understandings, it was shown that the dichotomy of this world and the other world is experienced in modern events as a dynamism of inside and outside

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Summary

Introduction

Today’s landscape theory is not limited to cultural geography; rather it functions as a nexus of issues with architecture, urban engineering, tourism, cultural preservation, and many other fields. Tuan [1] and Relph [2], who were among the first scholars to discuss the phenomenological meaning of place in geographic research, deepened their consideration of the experience of space pioneering subsequent landscape theory. Their discussions on place have involved multiple disciplines, including religious studies. There are two main universal places in human experience: “this world,” where we live daily, and the “other world,” where souls after death and spiritual beings belong. This paper critically examines the ideas of place in cultural geography from the standpoint of the history of religion and contrasts experiences of two places: the village and the suburbs (i.e., the wilderness) represented in the festival of southern Tunisia

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