The Exact Men of the North from Tool Makers to Historians

Abstract

This account of northern social scientists, historians, and machine-tool and astronomical instrument makers carries forward the author's construction of an intellectual profile of the North of England in previous articles. Principally by analysing entries in relevant biographical dictionaries, the author has demonstrated that northerners of distinction have been disproportionately numerous among 'men of science' in general and machine-tool engineers and astronomical instrument makers in particular, and — at least since the eighteenth century — among musicians and historians. Astronomical instrument makers and machine-tool engineers were above all exact men; so were the 'new' (scientific) historians like Stubbs and Mandell Creighton who followed the research methods of Leopold von Ranke; while the musicians produced in symphonies and oratorios exactly dovetailed, multi-layered structures of sound. A distinction is drawn between two forms of exactness: one of 'correspondence', the other of 'coherence'. The contrasted social contexts in which they are likely to arise are discussed. Musicians and historians (whose exactness lay in 'coherence') were big-city men; astronomical and mathematical instrument makers were more likely to have come down from the hills. The final result: the North was strongly represented in the front ranks of the nation's historians, mechanical engineers, and musicians; with only weak representation in the foremost ranks of social scientists and imaginative writers.