Abstract
The artist comments on a series of his artworks that show an evolution from minimal self-tensile constructions to the artistic exploration of the principles of visual perception. Various kinetic and transformable structures, including “self-erected” constructions, are described. His techniques of manipulating flat images are shown in a series of collages in which geometric patterns define the forms of cut elements and phantom objects emerge inside the source picture. Working with new constructive or visual principles, the artist looks for the most elementary ways of realizing methods of achieving particular forms.
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