Abstract
The reorientation of the aesthetic core of modern culture is considered through the prism of the perception of new social practices, including the phenomena of the marginal and the ugly, which become the subject of aesthetic evaluation. This process manifests itself in architectural activity, as architecture is both technical activity and the sphere of art that creates an artistic image of the human environment. Philosophy of deconstructivism addresses the issue of distinction as a characteristic moment of becoming, of being in uncertainty, which results in a certain aesthetic appeal of novelty. Modern nonlinear architecture breaks stereotypes of perception formed by classical aesthetics. This trend expresses the fundamental non-closure of the semiotic field of modern architecture, the desire to present the dynamics and inconsistency of modern society with new artistic means.
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