Abstract
This genre blurring is more than just a matter of Harry Houdini or Richard Nixon turning up as characters in novels or of midwestern murder sprees described as though a gothic romancer had imagined them. It is philosophical inquiries looking like literary criticism [or] scientific discussions looking like belles lettres morceaux. [The] present jumbling of varieties of discourse has grown to the point where it is becoming difficult either to label authors [or] to classify work. (Adams and Searle 514-15)
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