Abstract
Based on interviews she conducted with Cuban filmmaker and theorist Susana Barriga, Hanoi-based filmmaker and moving image artist Nguyen Trinh Thi and New York-based artist and filmmaker Bo Wang, essay film theorist Laura Rascaroli investigates the ways global artists who call their films ‘essays’, or whose work has been labelled as such by art institutions, think of their practice in light of this somewhat ambiguous term. Rascaroli is interested in what these non-Western-born artists have to say about a form that has been conceptualised by heavily drawing on Western thought and according to Enlightenment categories of Self, human subject, world/society and the role of the artist. As these interviews confirm, the essay film emerges as a privileged meeting ground of different impulses and hybrid influences.
Sign-in/Register to access full text options 
Free) 
Talk to us
Join us for a 30 min session where you can share your feedback and ask us any queries you have
Schedule a call
