Abstract
This article studies the representation of female homosexuality in the newly born erotic Spanish cinema of the 1970s, questioning the political and social implications of these first representations of lesbianism which contributed to shaping the first democratic discourses around women's sexuality. In order to do so, it looks at some of the most relevant films of the genre (most of which have never been studied before) and examines their portrayal of lesbian sex, focusing later on the figure of Ignacio F. Iquino and his film The Mask as the main representative of this genre in order to prove how the narrative construction of the eroticizing lesbian was largely based upon fascist conceptions of homosexuality.
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