Abstract

The Homeric poems are the subject of such a flood of print that a definite justification is needed by one who adds to it. Especially perhaps is this so if the Epic Cycle is to be involved; ‘enough and too much has been written about the Epic Cycle’, said T. W. Allen in 1908. My argument will be that the Cycle has still not been fully exploited as a source to show, by comparison and contrast, the particular character and style of the two great epics, particularly the Iliad. With the domination of Homeric scholarship in English by formulaic studies on the one hand and archaeology on the other, the poems themselves have perhaps been less discussed than might have been expected, and the uniqueness of the Homeric style and picture of the world has not been fully brought out. Most treatments of the Cycle have been concerned to assert or to deny that it contained poems or incidents earlier than the surviving epics, a question which will not be raised here. Most recent writers on Homer have more or less ignored the Cycle; even Hermann Fränkel, the first part of whose book Dichtung und Philosophie des frühen Griechentums (2nd edition 1962; now available in English, Poetry and Philosophy in Early Greece [1975]), is perhaps the most illuminating single work to have appeared on Homer in this century, does not discuss it, although it could have been made to support many of his arguments. No inferences are based on it, for example, in Wace and Stubbings, Companion to Homer, nor by Sir Maurice Bowra in his posthumous Homer. ‘My remarks are restricted to the two epics’, says J. B. Hainsworth in his short account; and G. S. Kirk, who does refer to the style of the fragments, does so summarily and without quotation. Yet after all the Cycle was a large body of early Greek heroic poetry, composed at a time not too far removed from that of the great epics, and at least passing as being in the same manner. We have some 120 lines quoted in the original, and a good deal of information about the content of the poems. If it proves possible to draw from this material any clear contrast with the Iliad, it may be felt that this will bring out the individuality of the latter even more strikingly than does the epic poetry, currently more often invoked, of the ancient Hittites or the modern Yugoslavs.

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