Abstract

In September 1938, the American film industry launched Motion Pictures’ Greatest Year, a four-month public relations campaign designed to combat falling attendance and revenues by reviving the public’s allegiance to “the movies.” The campaign grew out of fears that it was not the current recession keeping audiences away from theaters but rather that bad publicity and a spate of bad films had made the public angry with Hollywood. Executives and commentators in the trade press deplored a barrage of criticism generated from within the industry.

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