Abstract

Previous research suggests that mastering languages with distinct rather than similar rhythmic properties enhances musical rhythmic perception. This study investigates whether learning a second language (L2) contributes to enhanced musical rhythmic perception in general, regardless of first and second languages rhythmic properties. Additionally, we investigated whether this perceptual enhancement could be alternatively explained by exposure to musical rhythmic complexity, such as the use of compound meter in Turkish music. Finally, it investigates if an enhancement of musical rhythmic perception could be observed among L2 learners whose first language relies heavily on pitch information, as is the case with tonal languages. Therefore, we tested Turkish, Dutch and Mandarin L2 learners of English and Turkish monolinguals on their musical rhythmic perception. Participants’ phonological and working memory capacities, melodic aptitude, years of formal musical training and daily exposure to music were assessed to account for cultural and individual differences which could impact their rhythmic ability. Our results suggest that mastering a L2 rather than exposure to musical rhythmic complexity could explain individuals’ enhanced musical rhythmic perception. An even stronger enhancement of musical rhythmic perception was observed for L2 learners whose first and second languages differ regarding their rhythmic properties, as enhanced performance of Turkish in comparison with Dutch L2 learners of English seem to suggest. Such a stronger enhancement of rhythmic perception seems to be found even among L2 learners whose first language relies heavily on pitch information, as the performance of Mandarin L2 learners of English indicates. Our findings provide further support for a cognitive transfer between the language and music domain.

Highlights

  • Language and music have many features in common which could suggest a common origin (Wallin et al, 2001; Mithen, 2005)

  • Turkish monolinguals and three groups of L2 learners, namely, Mandarin, Turkish and Dutch L2 learners of English were tested on their rhythmic perception in music

  • Turkish monolinguals were tested to account for the possibility that the exposure to musical rhythmic complexity could explain a possible enhancement in individuals’ musical rhythmic perception

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Summary

INTRODUCTION

Language and music have many features in common which could suggest a common origin (Wallin et al, 2001; Mithen, 2005). Turkish has a preference for word-final stress, Turkish L2 learners of English could show an enhanced musical rhythmic perception as a result of encoding distinct sets of rhythmic properties of their first and second languages. Regardless of whether Mandarin L2 learners of English perceive musical rhythm comparably to or worse than Turkish L2 learners of English, the perception of musical rhythmic variation of Mandarin L2 learners of English should still be higher than of Dutch L2 learners of English This should be the case because, even though secondary, the rhythmic features of sound intensity and duration are still used to some extent for stress perception in tonal languages (Shen, 1993; Lai and Sereno, 2007)

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