Abstract

Fanny Price’s East room in the Bertram estate attracts not only characters in Jane Austen’s 1814 novel Mansfield Park to knock on its door and peer inside, but literary scholars as well. Critics drawn to investigate the significance of this room have discussed its constellation of identities, including that of a study, library, sitting room, theatre, and storeroom. Miranda Burgess, for example, refers to the East room as ‘Fanny’s British Museum’ in which she keeps artefacts of a ‘personal and imperial history’.1 For John Wiltshire, Fanny’s haven is a ‘surrogate maternal space’, but for Claudia Johnson, it acts in part as a storeroom for her gifts and the overall ‘debt’ to the Bertrams they signify.2 Isobel Armstrong argues that the former ‘nursery’ is ‘the place where Fanny constructs her world’, and Penny Gay and Anna Lott depict the former schoolroom as a place where lessons are taught and learned, especially during rehearsals of Elizabeth Inchbald’s play Lovers’ Vows.3 Finally, Barbara Hardy distinguishes the apartment superlatively as ‘the heart of Mansfield Park’.4

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