THE EMOTIONAL CONCEPT OF “SADNESS” IN THE COLLECTION OF STORIES “THE ROOM FOR SORROW” BY ANDRII LYUBKA

Abstract

Scholars from diverse fields of the humanities, including sociology, psychology, philosophy, linguistics, and others, have demonstrated a sustained interest in the realm of emotions. This is primarily because emotions are inextricably linked to crucial aspects of human existence such as behaviour, lifestyle, feelings and their expression, comprehension of the surrounding environment, and the human experience of life-altering circumstances. Every individual’s emotional landscape, as well as their linguistic expression, reflects a unique array of emotions. The article provides an overview of theoretical sources and examines the intricacies of the “concept” notion, which is central to the cognitive linguistics metalanguage. Moreover, the article introduces the term “emotional concept”, which constitutes fragments of the emotional landscape of an individual. In light of this, the language employed by select authors is of significant interest, as their works serve as a model of personal reinterpretation, while also reflecting their way of life, internal experiences, and the accuracy of their linguistic personality’s depiction of reality. The research presented in this article formulates and outlines methods for expressing the emotional concept of “sadness”, using the stories of Transcarpathian writer Andriy Lyubka as an exemplar. The emotional state of sadness has long captivated the attention of scholars across diverse fields of study. This is primarily because, alongside joy, it represents one of the two fundamental, polar emotions. The concept of sadness is universal, as it is comprehensible and relatable across all societies. Individuals can find themselves residing at the intersection of various intervals of sadness, which may arise from losses, disappointments, or physical and emotional pain. Given the universal and profound nature of this emotion, an exploration of Andrii Lyubka’s literary works allows for an examination of how the emotional concept of “sadness” is expressed across multiple language levels, including phraseology, stylistics, phonetics, morphology, and non-verbal communication. This research provides numerous examples that illustrate the description, usage, and implementation of the “sadness” concept within both written texts and spoken language. Key words: cognitive linguistics, linguistics of emotions, concept, emotional concept, emotional picture of the world, Andrii Lyubka.