Abstract

This paper analyses the way in which the image, masculinity and sexual identity of Presley have been recently culturally deployed by particular social groups. It explores the way in which the image of is used by lesbian drag king performers who try to queer the cultural stereotypes which form the basis of the social regulation of gender roles; and the use of Elvis's image by the U.K. fathers' rights campaign group Fathers 4 Justice as a sign of unthreatening familiarity to support traditional heteronormative ideas of masculinity and gender roles. These cultural re-appropriations of raises questions for contemporary understandings of sex/gender and sexuality; as the motto of the San Francisco based impersonator Extreme Elvis suggests, Every generation gets the it deserves.

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