The Elegiac Passion

Abstract

The passions were a topic of widespread interest in antiquity. This is a study on their role in Roman love elegy (1st c. BCE), a genre rife with passions and jealousy in particular. Jealousy does appear in a number of earlier genres, but never with the centrality and importance it has in elegy. This book offers an exceptional opportunity to investigate the ancient representation of jealousy in its Roman context, as well as its significance for Roman love elegy itself. The narrators portray themselves as poets and as experts of love, championing a view of love that stands in marked contrast to the criticisms that Stoic and Epicurean philosophers had raised. Elegy provides rich evidence of the genesis and development of erotic jealousy: we find suspicions and rumors of infidelity, obsessive attention to visual clues, and accusations and confrontations with the beloved. The Roman elegists depict the susceptibility and reactions to jealousy along gendered lines, with an asymmetric representation of skepticism and belief, violence and restraint. But jealousy has ramifications well beyond the erotic affair. Underlying jealousy are fears about fides or trust and the vulnerability of human relations. These are prominent in love relationships, of course, but the term has broader application in the Roman world, and the poetic narrator often extends his fears about trust into many other dimensions of life, including friendship, religion, and politics. The infidelity rampant in the love affair indicates a more general breakdown of trust in other human relations. All of these features have implications for the genre itself. Many of the distinctive elements of Roman elegy—its first-person narration, obsessive recordkeeping, and role-playing—can be seen to derive from the thematic concern with jealousy. As such, jealousy provides a new way of understanding the distinctive features of Roman love elegy.