Abstract
The early works of Jackson Pollock (1912–1956) have been almost entirely neglected by art historians. Primarily, recent historical research has been concerned with the period after his first one-man exhibit which was held in New York in 1943. The information available on Pollock's early drawings and paintings has largely been the product of attempts to equate him with the regionalist painting of the 1930's, which has resulted in an overemphasis and a misunderstanding of the influence of Thomas Hart Benton.
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