Abstract

This article reports the high prevalence of Absolute Pitch (AP) among students at Shanghai Conservatory of Music and explores the effects of timbre on AP judgment through a large-scale direct-test study. This study used two types of timbres (piano timbre and string timbre) to explore the correlation between the different types of timbre and note-naming accuracy. The participants included 71 undergraduate students majoring in piano and string at Shanghai Conservatory of Music, who had begun musical training at an age ⩽ 9 and focused on Western tonal music. The main results showed that the overall performance levels were very high and that the students scored 73% correct without semitone errors and 80% with semitone errors. All groups exhibited higher performance in judging pitches in piano timbre than string timbre. In addition, after listening to piano timbre, the accuracy in judging pitches in string timbre was significantly increased, and after listening to string timbre, the accuracy in judging pitches in piano timbre decreased but not significantly.

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