Abstract

The perception of sound in real-life acoustic environments, such as enclosed rooms or open spaces with reflective objects, is affected by reverberation. Hence, reverberation is extensively studied in the context of auditory perception, with many studies highlighting the importance of the direct sound for perception. Based on this insight, speech processing methods often use time-frequency (TF) analysis to detect TF bins that are dominated by the direct sound, and then use the detected bins to reproduce or enhance the speech signals. The detection of bins dominated by the direct sound is typically based on an objective measure, such as the direct-to-reverberant ratio (DRR). However, the relation between the DRR in the TF bins and the spatial perception of the reverberant sound which is reproduced from these bins is still not clear. It is the aim of this paper to provide some insights into this relation, specifically for reverberant speech, focusing on bins with high DRR. This is performed using a listening experiment, where high DRR bins within a reverberant speech signal have been masked in the TF domain, based on various DRR thresholds. The results show that the percentage of high-DRR TF bins that were masked may better indicate the quality of spatial perception, compared to the specific value of the DRR threshold. The insights from this work could be incorporated into spatial audio techniques that reproduce the direct sound of reverberant speech, and potentially improve spatial perception. This was illustrated with an implementation of directional audio coding that was studied with an additional listening experiment supporting the previously described results.

Highlights

  • R EVERBERATION is present in many real-life acoustic scenes, in particular sound in enclosures such as rooms, offices, and auditoria

  • The importance for spatial perception of direct sound TF bins was studied in the context of reverberant speech

  • This was performed with a listening experiment of binaurally reproduced signals that were masked in the TF domain, based on direct-to-reverberant ratio (DRR) thresholds

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Summary

INTRODUCTION

R EVERBERATION is present in many real-life acoustic scenes, in particular sound in enclosures such as rooms, offices, and auditoria. This paper aims to provide some insights into what can be considered to be direct sound in reverberant speech, with respect to spatial perception, in different acoustic environments. Masking is performed for bins with DRR values that are higher than a specified threshold The effect of this masking on spatial perception is evaluated using a test based on the MUltiple Stimuli with Hidden Reference and Anchor (MUSHRA) test. This is studied for four different acoustic environments with different reverberation times and different speaker-listener distances. Presented for upscaling first order Ambisonics (FOA) signals using Directional Audio Coding (DirAC) This is studied with an additional listening experiment, which supports the insights gained in the first listening experiment

MATHEMATICAL BACKGROUND
Spherical Harmonics Representation of a Direct Sound and Its Reflections
Binaural Reproduction in the Spherical Harmonics Domain
Direct-to-Reverberant Ratio
Power Threshold
DRR Threshold
Consistent Inverse STFT
VALIDITY OF THE TIME-FREQUENCY MASKING
Validity Measures for Time-Frequency Masking
Simulated Acoustic Scenes
Evaluation of the Validity Measures
LISTENING EXPERIMENT
Methodology
Results and Discussion
Extension of the Experiment - Percentage-Based Masking
APPLICATION TO DIRECTIONAL AUDIO CODING
Subjective Analysis of DirAC-Based Binaural Reproduction
Findings
CONCLUSIONS
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