Abstract
My personal introduction to Debbie was through learning about writing: twenty years ago she stood in front of a diverse group of postgrads and read from work in progress. She lyrically described driving across the Alligator River Flood Plain in Kakadu National Park in the late afternoon with an Aboriginal man, who says a version of ‘Hey Debbie, if you look out the window to the east you’ll see a cool thing’. She looks out the window of the Toyota, and the dark edge of Burrungkuy – the Nourlangie Rock escarpment – is lit up with tiny glittering sparkles of light. The man laughingly explains that it is tourists’ camera flashes, as they photograph the sunset from one of the most famous Indigenous rock art galleries in the world.
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