Abstract
A partir d'une etude sur les implications politiques de l'eden americain dans les oeuvres de T. Cole et N. P. Willis, l'A. montre que l'ideologie melvillienne sous-tendant dans Pierre ; or, The Ambiguities (1852) la representation du paysage de Saddle Meadows reflete de facon hyperbolique le «projet pittoresque» de l'esthetique pre-secessionniste
Talk to us
Join us for a 30 min session where you can share your feedback and ask us any queries you have
Schedule a callDisclaimer: All third-party content on this website/platform is and will remain the property of their respective owners and is provided on "as is" basis without any warranties, express or implied. Use of third-party content does not indicate any affiliation, sponsorship with or endorsement by them. Any references to third-party content is to identify the corresponding services and shall be considered fair use under The CopyrightLaw.
