Abstract
Psychoanalysis is at once a system of thought, a toolkit for cultural diagnosis and criticism, and a therapeutic practice. In Dagmar Herzog's exciting new book Cold War Freud: Psychoanalysis in an Age of Catastrophes, psychoanalysis is among the most transformative intellectual events of the twentieth century and is itself transformed by that century's roiling forces, shaping and profoundly shaped by politics and culture. Foregrounding the historicity of psychoanalysis requires Herzog to wrest psychoanalysis from its own claims to historical transcendence. “While psychoanalysis is often taken to be ahistorical in its view of human nature,” Herzog writes, “the opposite is the case” (2). After Freud's death, during the heyday of psychoanalysis in the 1940s and 1950s, through challenges to its authority in the 1960s and 1970s, to what Herzog calls its “second golden age” in the 1980s, the analytic frame offered by psychoanalysis (and the debates it generated) helped people grapple with the aftermath of the horrors of the Second World War and offered novel ways of thinking about the most important questions of the postwar decades: about aggression, guilt, trauma, the capacity for violence, indeed about “the very nature of the human self and its motivations” (1).
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