Abstract

In 1595, Matteo Ricci (1552–1610), the legendary founder of the Jesuit China mission, notably switched his visual and sartorial affiliation from Buddhism to Confucianism. Before 1595, he was clad and tonsured like a Buddhist priest. After 1595, he not only refashioned his exterior self in the style of a Confucian scholar but also presented himself as an ambiguous defender of Confucian orthodoxy against the corruption of Buddhism. Deliberate and unprovoked, Ricci’s bold and consciously publicized campaign against Buddhism revealed his profound insight into the relationship of both competition and complement among native Chinese philosophical and religious traditions which he sought to utilize for his apostolic purposes. However, as this essay argues, the same public display of his ideological antagonism also exposed serious limitations of his cultural understanding, because it did not and could not lead to the result which he had desired.

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