Abstract
The Rothbury Cross, although fragmentary and damaged, remains one of the glories of Anglo-Saxon sculpture. The iconography of the surviving panels has recently been the subject of investigation. Contrary to a current view that identifies one of the reliefs as the Raising of Lazarus, this article demonstrates that the subject instead is the Dream of St. Joseph, a theme that was popular in the early Middle Ages. The author draws comparisons between the Rothbury panel and other early medieval works of art to corroborate his contention.
Talk to us
Join us for a 30 min session where you can share your feedback and ask us any queries you have