Abstract
SUMMARYI offer poetic parallelism as evidence for an ethnography of authoritarian power in Laos and as a conceptual frame for understanding hazards in ethnography and anthropological knowledge production. Parallel poems take the form of juxtaposed statements, often characterized by multiplicity and contradiction. In an authoritarian context marked by state violence, the very form of the parallels is data on Lao society. I examine poetic parallels as a provocation to write field poems rather than field notes.
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